Preparing for Winter: “…if they could not defend themselves they were bound to be conquered,…”, 2018, Vol. 1 No. 1, mixed media collage on plexiglass, 30 x 77.5 in.
Summertime
July 13 – August 17, 2018
Jim Waid, Early Morn, 2007, acrylic on canvas, 36 x 30 in.
John Maloof, Through The Rakes, 2018, acrylic on canvas with painted frame, 30 x 40 in.
Mary Ann Papanek-Miller, The Flush Toilet: This Planet is All Ours 1, 2006, acrylic paint, collage, and graphite on paper on canvas, 40 x 30 in.
Joe Tallarico, Frederick's Reflex, 2017, acrylic on wood, 20x15
Lee Grantham, Be-Bops-aboobs-alot, 1989, acrylic on plexiglass with newspaper, 31 x 26 in.
Visit us at Booth 313! Featuring new works by Donna Rosenthal, Mindy Weisel, Hunt Slonem, Margaret Wharton, Courtney Timmermans, Claudia DeMonte, Bonnie Star and John Torreano.
Mindy Weisel, Earth Rise, 2006, fused glass, 16 x 16 in.
Courtney Timmermans, Moose (side view), 2012, air rifle BBs, cast resin, mixed media, 20 x 24 x 9 in.
Bonnie Star, Understanding Nature, 2017, acrylic on canvas, 48 x 48 in.
Slonem, Untitled 2017, oil on wood with diamond dust, 10 x 8 in.
John Torreano, White and Multi-Color Gem, 1988, 17x17x9 in.
Life Warrior, 2016, vintage comics, mixed media
Images of All Kinds
Group Show
March 6 – April 28, 2018
Gladys Nilsson, Untitled, 1975, watercolor and gouache on paper, 23 x 16 in.
Zack Wirsum, Omar Coming, Thievery Is The Sincerest Form Of Artistry, 2017, acrylic on panel, 36 x 48 in.
Sophie Kahn, LDegrade, 2014, bronze, black patina, cast from a 3D printer, 13 x 9.25 x 8.25 in
Sophie Kahn, Bust of a Woman II, 2016, powder-coated aluminum (cast from 3-D print), 15 x 9 x 9 in.
John Maloof, Ain't Helpin' Muh Bottom Slime, 2017, reverse acrylic paint on plexiglass with handmade frame, 19 x 22 in.
Joe Tallarico, Blanche Candelabra, 2017, acrylic on wood, 20 x 15 in.
Joe Tallarico, Frederick's Reflex, 2017, acrylic on wood, 20 x 15 in.
Lee Grantham, Descent Into Hell, 2006, reverse acrylic on plexiglass, 62 x 48 in.
Lee Grantham, Be-bops-aboobs-alot, 1989, reverse acrylic on plexiglass with newspaper, 31 x 26 in.
William Harrison, The Exquisite Lightness of Being, 2014, carbon pencil on paper, 30 x 22 in.
Mary Ann Papanek-Miller, Looking for Alice: And A Bear Passed By 1.1, 2008, acrylic paint, collage, and graphite on paper on canvas, 22 x 22 in.
Mary Ann Papanek-Miller, Looking for Alice: And A Bear Passed By 1.2, 2008, acrylic paint, collage, and graphite on paper on canvas, 22 x 22 in.
Mary Ann Papanek-Miller, Looking for Alice: And A Bear Passed By 1.3, 2008, acrylic paint, collage, and graphite on paper on canvas, 22 x 22 in.
Donna Rosenthal, Beautiful Inside and Out, 2017, Grey's Anatomy books, trim, text, gel medium, acrylic spray, 18 x 14 x 13 in.
Lee Grantham
Reverse Acrylic Paintings
January 5 – March 2, 2018
Tired, 2005, acrylic on plexiglass (reverse), 49 x 36 in.
Worth Cutting Your Ear Off For, 1991, acrylic on plexiglass, 43 x 55 in.
Lee Grantham, Be-Bops-aboobs-alot, 1989, acrylic on plexiglass with newspaper, 31 x 26 in.
